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Her poster is definitely one of the nicest pieces of Tate memorabilia we've seen. There's been renewed interest in her, including portrayals in two 2019 films- The Haunting of Sharon Tate and Quentin Tarantino's new effort Once Upon a Time in Hollywood.

These posters are 51 x 152 centimeters in size, or 20 x 60 for you folks who measure in inches, and they caught our eye mainly because of Tate. They are, top to bottom, Sharon Tate, Elke Sommer, Nancy Kwan, Tina Louise, and a fifth woman no other website seems able to identify, but who we're pretty sure is Kenya Coburn. The movies were populated by a group of women known as Slaygirls, and the actresses on the posters below are posing as members of that deadly cadre. The Wrecking Crew was the last film, coming after 1966's The Silencers and Murderer's Row, and 1967's The Ambushers.

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Boozy Matt Helm was a perfect role for him, and the first film became the launching point for a series that stretched to four entries. There have been a lot of loveable drunks in cinema, but Martin certainly was one of the most popular.

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Today we have some beautiful rarities, a set of door panel posters made for the 1968 Dean Martin spy movie spoof The Wrecking Crew. Martin played the wise-cracking and woman-loving Matt Helm, a character created by novelist Donald Hamilton. Films are always of their era, moral flaws and all, and we're able to enjoy ones about colonial Africa as long as they're good, but White Huntress isn't. It's cheaply made, poorly written, and overall is a cringeworthy effort, filled with the self serving entitlement of invaders ascribing all sorts of moral and philosophical justifications to their thieving and slaughtering. So what you have here is a hybrid-part western, and part colonials-in-Africa movie. Owing to its period setting the movie has the feel of a western, and in fact the subplot involves Brits venturing into the wild frontier in covered wagons like Sooners to take over native lands.

Their plan is to-wait for it-kill the animals and reap tons of ivory worth a fortune. Despite the art of a woman in sexy rags fighting a python, what you actually get is a staid period piece set in 1890 in which two brothers venture into the Masai territory of what was then British East Africa in search of Kayanga, the legendary meeting place of the elephants. This poster for White Huntress, aka Golden Ivory, did its job-as soon as we saw it we had to watch the movie.